Final Fantasy: five best fighting themes


Final Fantasy has some of JRPG most influential of all time, but he also set the standard for battle themes long before the arrival of Persona.

For 35 years, gamers have been in awe of the epic worlds and lovable characters of the Final fantasy deductible, mixing science fiction and fantastic as each episode of the long series of video games has a new distribution defending their world against evil threats. And to keep players alert and their attention riveted on the franchise’s turn-based combat system, the Final fantasy The series used particularly memorable combat music as warriors and monsters trade blows and prepare for their next moves.

Here are the best battle themes of the Final fantasy franchise spanning 35 years of history, which can immediately bring them longtime fans to their love of the series in their first bars, with catchy arrangements that should be on any Final fantasy player training mix or rhythmic video game mixes.


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Those who fight further



Let’s start by eliminating one of the more obvious additions with Final fantasy vii‘s “Those Who Struggle Further”, written by longtime Final fantasy composer Nobuo Uematsu. The landmark Final fantasy The game uses this battle theme for boss fights, with Uematsu taking advantage of advanced hardware from the original PlayStation to deliver richer sound than that available with cartridge games earlier in the series, with the song highlighting features a catchy electric guitar melody.

A rearrangement of “Those Who Fight Further” would appear on the Final Fantasy VII remakethe soundtrack of while the song can also play on Super Smash Bros. Ultimate‘s Final fantasy vii Midgar, with the song perhaps capturing the industrial feel of Final fantasy vii unlike the high fantasy and steampunk sensibilities of previous titles.


Final Fantasy VI Battle Theme



Final Fantasy VI – originally released in the United States for the Super Nintendo under the name Final Fantasy III – this easily one of the darkest stories of the franchise to date. The wicked Kefka devastates much of the world as the Empire attempts to subdue the magical Espers for their own purposes underhanded during the game, the third act featuring the characters rallying to rebuild from their previous defeat.

This darker, more melancholy tone also permeates Uematsu’s soundtrack for Final Fantasy VIWith a sense of urgency and chaos in the “Battle Theme”. Pushing the sound capabilities of the SNES hardware as far as possible, the “Battle Theme Final Fantasy VI” is a melody cacophony cascading over a driving beat as the characters struggle to save a world that is perhaps already lost.


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Confrontation on the Grand Pont



New in North America for seven years, Final fantasy v is a colorful adventure that saw the rise of an evil wizard named Exdeath following a meteor crash, resulting in a fierce race to collect four crystals capable of saving the day. the Final fantasy v The soundtrack was one of the most ambitious at the time, the work of Uematsu finally being released as double-disc album for the amazing amount of tracks he composed.

Final fantasy vThe main battle theme is “Clash on the Big Bridge” which is a call to arms particularly fast, suitable for cloak and dagger connotations present in the game itself. Hitoshi Sakimoto reorganize “Clash on the Big Bridge” for the Final Fantasy XII soundtrack over a decade later.


Blinded by the light



Promotional image of Final Fantasy XIII

2009 Final Fantasy XIII is one of the most radical of the venerable series games – and most controversial – featuring a rotating distribution protagonists during its thirteen chapters narrative while the main group was separated and collected, while offering more fights faster than other franchise titles. At the heart of Final Fantasy XIIIThe soundtrack to is “Blinded by Light”, written by game composer Masashi Hamauzu.

While the first main line Final fantasy game have no soundtrack composed by Uetmatsu, Hamauzu has more than proved himself a worthy successor, with “Blinded by Light” blending beautiful orchestral arrangements with roaring electric guitars while the theme of the battle crescendo a memorable tone that accentuates every move progressively as they’re delivered.


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The man with the machine gun



Final Fantasy VIII mixed a greater sense of realism in its waking moments with a surreal undercurrent of dreams playing a major role in the story, including for its protagonist Squall Leonhart. Although Final Fantasy VIII has its own main battle theme with “Don’t Be Afraid”, its dream sequence battles set to “The Man with the Machine Gun” provide a much more sonically impressive track.

Fast paced and juxtaposing a relentless percussive rhythm with electronic keys jerky, “The Man with the Machine Gun” sums may well turn stronger to science fiction and Uetmatsu incorporating more pop sensibility in his songwriting to period while keeping this fundamental emotion of the story and its characters in sight.


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Can a bad twist ruin a good RPG?

Can a bad twist ruin a good RPG?


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