The Final Fantasy The franchise is home to some of the most emotional moments in video game history. An engaging cast of unique characters and an immersive setting are two essential ingredients in shaping its entries, but a game will only truly thrive if the appropriate music is implemented.
Final Fantasyfeatures a range of beautifully composed melodies to further enhance the overall experience. Some of the compound themes for certain boss fights will generally aim to convey a sense of dread while showcasing the boss’ personality and mindset. Most of the series’ boss themes have been meticulously crafted to fit the tone, with many going above and beyond to evoke a sense of dread in the player.
6 Challenge – Final Fantasy 10
The Challenge The theme plays several times throughout Tidus’ journey through Spira, but most fans of the game will associate it with the battle against Yunalesca. Yunalesca poses one of Final Fantasy 10so it’s likely that the player will have to face her several times before they can beat her in battle.
The remaster of Final Fantasy 10 featured an updated score that revitalized much of the game’s original tracklist. Challenge has been completely reworked, the remaster allows listening to the original soundtrack if the player wishes. the original Challenge suited the battle arena particularly well with its synth-heavy riffs and out-of-place artificial noises. This served to emphasize how small the party was in the daunting and endless arena they found themselves in. There’s an element of futurism to the song’s design that can easily alienate the listener due to the primitive world it’s set in, but that’s never allowed to happen. Auron’s compelling speech as the song opens is another reason the track has become as iconic as it has been.
5 Extreme – Final Fantasy 8
The final battle against Ultimecia in Final Fantasy 8 is made even more spectacular thanks to the exceptional score of Nobuo Uematsu. extreme marks the beginning of the end with each of its musical sections documenting a different phase of the long-awaited clash between good and evil.
Unlike most game themes, extreme opens with a smooth but eerie piano progression that allows the tension of the battle to slowly build. Those dark keys and strings eventually give way to a fast, synth-riddled verse, reminiscent of the franchise’s previous battle themes. The introduction to extreme lulls its listeners into a false sense of security before fully embracing its role as the boss theme and the frenetic way it unfolds evokes Ultimecia’s erratic nature, further heightening the horror she brings.
4 Battle at the Great Bridge – Final Fantasy 5
At Nobuo Uematsu’s Battle at the Great Bridge is a recurring boss theme in the Final Fantasy series. It was originally composed for Final Fantasy 5 but has since been used numerous times to set the tone for future encounters with Gilgamesh, an elusive being capable of traveling through space and time. The theme itself went through a variety of different changes in composition, but its central themes remained mostly the same.
It’s fast and unpredictable, two features that work in tandem to showcase Gilgamesh’s quirky personality. His presence in a Final Fantasy game will usually set an entirely new tone, especially in Final Fantasy 12where it stands out exceptionally well from the rest of the score. The Battle at the Great Bridge is one of the most iconic pieces of music from the set Final Fantasy series so, without her, Gilgamesh would probably have remained just an ordinary boss.
3 Crazy Dance – Final Fantasy 6
The Ultimate Battle Against Kefka features some of the most complex musical arrangements to ever grace the Final Fantasy series. crazy about dancing is an aptly named piece of music that fully captures the extent of Kefka’s broken spirit. In a way, the structure of the song documents its journey from beginning to end of Final Fantasy 6the story.
The battle will open with a collection of organs harmonizing with each other. It starts off slow, but its 18-minute runtime allows it to evolve into something completely different. In composing this piece, Uematsu attempted to break away from the norms of songwriting and in doing so created an unconventional masterpiece.
2 Another World – Final Fantasy 10
Other worldcomposed by Nobuo Uematsu, is played for the first time during the opening cinematic of Final Fantasy 10, but his most memorable moment comes during the game’s climax where Tidus is forced to fight his father, Jecht. Unlike other musical pieces in the game, Other world is heavily influenced by metal, evident through the throaty vocals and distorted guitars featured on the track.
It’s the most unique track to feature in the game and may very well retain that title across the franchise. Her presence in the game’s final battle further cements a sense of finality, while fostering an element of dread in an already chilling encounter. This suits the abyssal setting in which the battle takes place but never distracts the player from the challenge they face. Without Other worldthe battle with Jecht would be nowhere near as iconic.
1 One-Winged Angel (Rebirth) – Final Fantasy 7 Remake
the original A winged angelcomposed by Nobuo Uematsu, was the most complex song featured in Final Fantasy 7. Uematsu said in an interview with Polygon that he wanted to create something unique for the final battle with Sephiroth, and in doing so blessed the series with his most popular song yet.
He drew inspiration from 70s and 80s rock music while putting the song together, while also using music by Stravinsky. Rite of Spring as a basis for the tone he wanted to reproduce. The PlayStation console that FF7 was first posted on couldn’t capture the raw power of this track, but the Remake released in 2020 managed to remedy this. The enhanced battle with Sephiroth now comes with an orchestral version of the song, with several new bars adding to the overall spectacle of the battle.
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